REMOTE WORKFLOW
Edits are carried out using lightweight proxy media to enable fast, stable remote collaboration. Footage is ingested from client-supplied drives or secure cloud transfers, with clear project structures established from the outset.
Editing is completed in either DaVinci Resolve or Adobe Premiere Pro, depending on project requirements and delivery specs. Cuts are shared via frame-accurate review links for consolidated feedback, with final relinking completed against the original high-resolution media prior to delivery.
Broadcast and independent projects are supported, with workflows adapted to meet network specifications or the flexibility required by smaller, director-led productions.
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Editorial execution on a clear, aligned brief. This tier focuses on efficient, high-quality editing where structure and direction are already defined. A radio edit is supplied, with the cut completed in DaVinci Resolve or Premiere Pro, alongside a basic sound mix to deliver a polished offline or final cut.
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Editorial shaping and narrative development. Designed for projects still finding their structure, this tier combines editing with story-led guidance around pacing, tone, and sequence construction. The edit evolves through conversation and refinement, supported by a more considered sound mix and flexible workflow.
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Full creative collaboration and authored editorial guidance. A deeper partnership for projects requiring hands-on involvement across story, structure, and intent. This tier supports the film from early assemblies through to final cut, with bespoke editorial input, an enhanced sound mix, and the option of an enhanced colour grade to shape the film holistically.
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Creative scope increases with each tier. Day rates and project rates are discussed following an initial creative conversation.